Among cinema’s best ‘stoner’ archetypes, past or present, Diane Keaton brought to life some of the most memorable film moments where cannabis appeared naturally, without drama or moralizing. A calm, witty, and impossibly chic on-camera weed enthusiast.
- Annie Hall: the first stoner girl
- But did Diane Keaton smoke weed?
Keaton left this world on October 11, leaving behind a filmography that, through laughter and vulnerability, reshaped how Hollywood portrayed relaxation, desire, and female intelligence.
Californian actress, fashion icon, adoptive mother, and Oscar winner (also a lover of design, architecture, and photography) and, more recently, a late-blooming singer, who finally fulfilled an almost-forgotten dream. Keaton’s characters offered both stoners and non-stoners alike dialogue and scenes that were, at the very least, beautiful, while voiding the burned-out cliché of the dazed pothead who can’t string two thoughts together.
In Shoot the Moon (1982), her character smokes a joint in the bathtub. An intimate, melancholic gesture more than a rebellious one, where weed becomes an emotional refuge in the middle of a crumbling marriage.
Decades later, in The Family Stone (2005), Keaton plays a matriarch with cancer who faces her illness surrounded by humor and family warmth. In one of the film’s most relaxed scenes, the family shares some suspiciously festive brownies, hinting at the use of weed without spelling it out. A wink to anyone who knows, and a reminder that sometimes, family warmth comes baked.
Annie Hall: the first stoner girl
The scene where Annie Hall, the iconic ’70s character in Woody Allen’s (Alvy Singer) film, asks him if he’s ever made love while high, cracked open one of the most countercultural doors of it’s and became one of cinema’s most cited portrayals of casual cannabis use in the mainstream.
Alvy refuses, uncomfortable. Cannabis makes him anxious, distrustful, afraid of “losing control.” Annie, on the other hand, embraces it as a source of relief, an intimate form of connection, something that relaxes rather than hinders it. She even suggests that smoking might save him a few visits to his psychiatrist. In her voice—light, honest—marijuana isn’t marginal; it’s part of her emotional landscape. She challenges the rules of desire, control, and male anxiety. She suggests that pleasure, too, can be a female space, one that doesn’t need to be overanalyzed.
Throughout the film, Annie tries to calm down the ever-neurotic Allen, but she doesn’t succeed. Anyhow, she manages to captivate an audience that loves her charismatic, sophisticated, and at the same time, very intelligent and perceptive character. In her hands, weed isn’t scary at all. Quite the opposite: it helps define who she is—a witty, warm, slightly quirky young woman. And yes, she smokes weed too.
But did Diane Keaton smoke weed?
Sorry to disappoint, folks, she didn’t. As much as we’d love to believe she was like her characters, reality doesn’t quite match fiction. “It’s not true, but there are elements of truth in it,” she once said when asked how much of Annie Hall was really her.
Her real-life relationship with Woody Allen was indeed true, and like her character, Keaton did drive a Volkswagen and admitted to being nervous around men. But no, Keaton doesn’t usually smoke weed. She told The New York Times: “I have [smoked weed] in the past, when I was in Hair. But it makes me a little nervous, and I feel nervous enough without it. I like a glass of wine, which makes me more relaxed.”
And mushrooms? When asked about her role in Mack & Rita (2022), where her character takes magic mushrooms, she gave a similar answer: “No, thank you! That was never something that I engaged in at all. I missed out on that. I would prefer just to have a glass of wine with ice in it.”
Diane Keaton will be remembered as many things: a brilliant actress, a free woman, a style icon. But above all, as someone who could blend humor, fragility, and elegance into one. She made lighting up look like art. And she never even had to spark one herself.
Photo by Ruven Afanador, CC BY-SA 3.0, via Wikimedia Commons
